Buffalo Bill's Wild West was not just made up of Anglos and Natives, but also several performers from other ethnic backgrounds. Center of the West says that "persons of color" were initially a mainstay of the show, although their roles as cowboys were later phased out in favor of other ethnicities. One of them, Voter Hall, was advertised as "a Feejee Indian from Africa" in 1885. By 1892, William Cody had a new partner, Nate Salsbury, whom writer Brendan Murphy identified as heading "a popular black faced minstrel troupe" called Salsbury's Troubadours. It was Salsbury's idea to create a performance, the "Congress of Rough Riders of the World," which incorporated military troops and professional horsemen from all over the world. These included cowboys from Cuba, Hawaii, Japan, and the Philippines. Writer Kathryn White called the decision "a drawing table for American identity."
As Cody realized how important Mexican vaqueros were to the West's development, says writer Pablo A. Rangel, he began including them in the Congress of Rough Riders performance along with other nationalities. By 1894, the show also featured "Cossacks, gauchos, Arabs," soldiers from Europe and Russia, Cuirassiers from Germany, and men from the Pacific Islands, all of whom promised to "uniquely and fascinatingly complete the ethnological scope" of the world, according to the show's program. Together, these performers made a complete, if "romanticized" representation of the cowboys and soldiers who roamed the West.|0|https://www.grunge.com/368989/what-it-was-really-like-to-perform-with-buffalo-bills-wild-west-show/|1|https://img4.grunge.com/img/gallery/what-it-was-really-like-to-perform-with-buffalo-bills-wild-west-show/l-intro-1617069682.jpg|2|www.grunge.com|E|